The Editors

Installation view of *TAREK ATOUI*'s _The Wave_, 2019, composition for The Disharmonica, The Duofluctus, Horns of Putin, The Lithophone, The Lymaçon, The Piezothing, The Rotator,

Issue

Sharjah: Tarek Atoui: Cycles in 11

Ruba Al-Sweel

Installation view of *TAKIS*'s solo exhibition at White Cube, Hong Kong, 2020-21. Photo by Kitmin Lee/White Cube. Copyright the artist. Courtesy White Cube, London/Hong Kong.

Issue

Hong Kong: Takis

Ophelia Lai

Issue

Wang Tuo: Mind’s Eye

Ophelia Lai

Portrait of MIN OH. Photo by Kim S. Gon. Courtesy Elle.

Issue

Min Oh: Movement as Material

Andy St. Louis

Portrait of *AU SOW YEE*. Photo by Lin Yu-Quan. Courtesy the artist.

Issue

Au Sow Yee: Afterimage

Chloe Chu

Installation view of

Issue

Land, Landlessness, Mobility: Asian and Indigenous Artists Disrupt Colonial Chronology

Asian and Indigenous Artists Disrupt Colonial Chronology Godfre Leung

The Wall: Community Art Building Mural (2020), led by Post-Art Project, is a collaborative work created by artists of different faiths and sexual orientations at New Delhi’s India

News

Increased Silencing of Artistic Expression Globally Amid Pandemic

Martine Ma

Installation view of *RIRKRIT TIRAVANIJA*’s _Untitled_, 2020, pavilion, bamboo maze, dimensions variable, at Bangkok Art and Culture Centre (BACC), Bangkok Art Biennale (BAB), 2020

Imported

Bangkok Art Biennale 2020: “Escape Routes”

Gwen Robinson

A portrait of *ELIZABETH ANN MACGREGOR*. Photo by Anna Kucera. Courtesy Museum of Contemporary Art Australia, Sydney.

News

Museum of Contemporary Art Australia director to step down

Yuna Lee

Portrait of the *STARS* art group, 1980. Copyright Helmut Opletal. All images courtesy AC Films, Inc.

Ideas

Capital Thaw: Beijing Dissidents on Film

A documentary looks at the period after Mao's death when creativity burst forward. Don J. Cohn

An exterior view of The Substation, Singapore. Image via Facebook.

News

The Substation Decides Its Closure Will be Permanent

Pamela Wong

Installation view of *RYAN BENJAMIN LEE*’s _Break_, 2021, digital print on fabric, video installation: 4 min 25 sec, at

Shows

Artists Wonder “Maybe we read too much into things”

Marybeth Stock

Issue 122

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Issue 122

Mar/Apr 2021 US$ 21.00

Installation view of GU XIONG’s I sit on stone, 2020, sand and fabric, dimensions variable, at

Imported

The Remains of a Journey

Asia Jong

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