The Editors - ArtAsiaPacific (Page 199)

Installation view of *THEASTER GATES*'s Corpus, 2021, high fired stoneware with glaze, dimensions variable, at

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Shanghai: Theaster Gates: China Cabinet

Hutch Wilco

Portrait of *AYOUNG KIM*. Courtesy Seoul International Women’s Film Festival.

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Ayoung Kim: The Seismogenic Zone

Ophelia Lai

Installation view of *TIFFANY SIA*'s _A Wet Finger in the Air_, 2021, mixed media, dimensions variable, at

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New York: Tiffany Sia: Slippery When Wet

Between Hong Kong and New York, an artist mediates on distance and displacement. Mimi Wong

Installation view of _Future Sarcophagus_, 2020, ceramic, soil, worms, maize, rice, wheat, sugarcane, opium poppy, potato, ginger, pepper, 129 x 183 x 91 cm, at

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Candice Lin: Eat Me

Chloe Chu

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123 Book Reviews: Converging Perspectives

The editors review three new books, looking at an artist's voyages through Palestine, recollections of early 2000s Shanghai exhibitions, and a collection of letters by Asian American artists. Ophelia Lai, HG Masters, Lauren Long

Installation view of *CAITLIN FRANZMANN*'s _Essence meets essence_, 2021, multichannel audio, red lighting, yellow wall paint, timber drum shells with sounding elements of seeds, n

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Brisbane: Caitlin Franzmann: To the curve of you

Sophie Pose

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Finding New Light: Photo-Activism and Archives Across South and Southeast Asia

Cleo Roberts-Komireddi

Detailed installation view of *LUKE CHING*'s

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Hong Kong: Luke Ching: Glitch in the Matrix

Chloe Chu

Exterior view of M+ museum's recently completed building in the West Kowloon Cultural District, Hong Kong, 2021. Photo by Peter Chung for _ArtAsiaPacific_.

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123 Main News: Hong Kong Arts Organizations Accused Of Endangering National Security

The Editors

Exterior view of The Substation, Singapore. Image via Wikimedia Commons.

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123 News: Controversy, Career Moves, Public Domain

The Editors

Installation view of *DIAO DUI COLLECTIVE*'s _Arrow Factory Grotto_, 2011, site-specific mural, dimensions variable, at Arrow Factory, Beijing, 2011-12. Courtesy Arrow Factory.

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The End of Alternative: Arrow Factory

Looking back at Arrow Factory, Beijing's hutong storefront space. HG Masters

Installation view of *HEMAN CHONG*'s _Safe Entry (Version 2.0 - 2.7)_, 2020, acrylic on canvas, 200 x 130 x 3.8 cm, at

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Singapore Heman Chong: Peace Prosperity And Friendship With All Nations

Lynda Tay

*MULKUN WIRRPANDA*, _Pardalotes_, 2020, earth pigment on board, 244 x 122 cm. Copyright the artist. Courtesy the artist and Buku-Larrngay Mulka Centre, Northern Territory.

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Sydney: The National 2021: New Australian Art

Johanna Bear

Portrait of *ZHANG XU ZHAN* with the set of _Animal Story_ (2019- ). Unless otherwise stated, all photos by Daphne Chu for _ArtAsiaPacific_.

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Zhang Xu Zhan: Where Paper Becomes Flesh

A visit to the studio of an artist working in paper and spirits. Daphne Chu