The Editors

Installation view of *DAN GRAHAM*'s _Cylinder Bisected by Plane_, 1995, stainless steel and two-way mirror, dimensions variable, at the Benesse House Museum, Naoshima. Copyright th

Issue

One on One: Trevor Shimizu on Dan Graham

Trevor Shimizu

*DAVI PONTES* and *WALLACE FERREIRA*, _Delirar o racial_, 2021, still from video: 32 min 9 sec. Courtesy the artists and Pivo, Sao Paulo.

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Dispatch: São Paulo, Countermovements

Raphael Fonseca

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Whispering Gallery: Climate Change

DT

*YOSHITOMO NARA*, _Berlin Barack, Room 1_, 2007, mixed-media installation, 263 x 317 x 279 cm. Courtesy Poly Auction, Hong Kong.

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Auction Report: A Shaky Comeback

The Editors

*YOO YOUNGKUK*, _Work_, 1978, oil on canvas, 135 x 135 cm. Courtesy Yoo Youngkuk Art Foundation and Kukje Gallery, Seoul/Busan.

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Art Fair Report: The Real Deal

The Editors

*TADANORI YOKOO*, _Expensive Purchase_, 2020, oil on canvas, 181.8 x 227.3 cm. Courtesy the artist and the Museum of Contemporary Art, Tokyo.

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124 Previews: In Retrospect

The Editors

Installation view of *STELLA ZHONG*'s _Σ(79, 45, +/-2.3), (3, -1, -264), V26_, 2020, plasticine, epoxy, string, wax paper, wood, foam, plaster, and paint, 199.4 x 114.3 x 114.3 cm,

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New Currents: Beyond Recognition

The Editors

Installation view of *ARIJIT BHATTACHARYYA*'s _Pirates, Prawns & Invaders_, 2020, lecture performance projected on the bridge across Kupfergraben of the Spree, as a part of

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Owned by Others: Decolonizing Berlin’s Museum Island

Decolonizing Berlin’s Museum Island Clara Tang

*AKI INOMATA*, _Think Evolution #1: Kiku-ishi (Ammonite)_, 2016-17, still from HD video: 2 min. All images courtesy the artist and Maho Kubota Gallery, Tokyo.

Issue

Aki Inomata: The Ingenuity of Nature

Ophelia Lai

*PAO HOUA HER*, _Maroon backdrop_, 2017, archival inkjet print mounted on Dibond, 106.7 x 133.4 cm. Photo by Caylon Hackwith. Courtesy the artist and Midway Contemporary Art, Minne

Issue

Pao Houa Her: Pulling Back the Curtain

Sheila Regan

*MITI RUANGKRITYA*, _Sunset on Unnamed Lanes - Untitled (#02)_, 2020, giclee print on Signbond, 96.5 x 112.5 x 3.5 cm. Courtesy the artist.

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Miti Ruangkritya: Signs of Transition

Chloe Chu

Installation view of

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Mutter, Ich Bin Dumm!: Biography as Fiction in Evelyn Taocheng Wang’s “Reflection Paper”

Hendrik Folkerts

_Erosion Machine No. 4_, 1969, Plexiglas, metal racks and fittings, plastic, water pump, LED lights, black light, pebbles, four erosion rocks, and wood base, 38.1 x 63.5 x 22.86 cm

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Carl Cheng: Research and Development

HG Masters

124 Up Close: Jes Fan

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124 Up Close: Jes Fan

OPHELIA LAI

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