The Editors

125 Up Close: Shuruq Harb

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125 Up Close: Shuruq Harb

The Editors

*LEE UFAN* painting with water on stones in the Hakone Valley, 1998. Copyright the Lee Ufan Archive.

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Inside Burger Collection 41: Lee Ufan: Thinker of the Present

Jean-Marie Gallais

Installation view of *RICHARD BELL*'s

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Gadigal Country, Sydney: Richard Bell

Johanna Bear

*CHUNG SANG HWA*, _Work No. 3_, 1972-73, acrylic on canvas, 161 x 130 cm. Photo by Gallery Hyundai, Seoul. Courtesy the National Museum of Modern and Contemporary Art, Seoul.

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Seoul: Chung Sang Hwa

Taeyi Kim

Installation view of *PHYLLIDA BARLOW*'s _Undercover 2_, 2020, timber, plywood, cement, scrim, plaster, polyurethane foam, paint, PVA, calico, and steel, dimensions variable, at

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Tokyo: Another Energy: Power to Continue Challenging – 16 Women Artists from around the World

Maki Nishida

Installation view of *CAO YU*'s _Femme Fatale V, II, and IV_, 2019, c-prints, 137 x 86 x 7 cm each, at

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Beijing: Cao Yu: Passing Through the Human World

Hutch Wilco

*ZHAO YANG*, _Godlike Rage No. 23_, 2021, oil and acrylic on canvas, 84 x 104 cm. Courtesy the artist and ShanghArt Gallery, Shanghai/Beijing/Singapore.

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Shanghai: Zhao Yang: Godlike Rage

Hutch Wilco

Installation view of *JOEBAU*'s _Hide on Wood 1-5_, 2021, painted wood and clear plastic covers, 214 x 61 cm each, at

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Manila: Joebau: Throw Hide & Twist

John Alexis Balaguer

*LALAN*, _Go with the Wind_, 1968, oil on canvas, 195 x 194 cm. Courtesy Lalan Archive and Kwai Fung Foundation, Hong Kong.

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Hong Kong: Extended Figure: The Art and Inspiration of Lalan

Cassie Liu

Installation view of *SIMON FUJIWARA*'s _Who's Baerlines? (First Class Cabin Seat)_, 2021, wood, diorama trees, plastic, cardboard, fabric, aluminum can, and two videos: 31 min (wa

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Milan: Simon Fujiwara: Who the Baer

Alessandra Alliata Nobili

*BAGYI AUNG SOE*, _Female figure with mandala, sacred letters of the Burmese alphabet,

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Paris: Bagyi Aung Soe

Béatrice Grenier

Installation view of *YU JI*'s _Jaded Ribs_, 2019-21, rope, fishnet, fabric, breeze block, plaster board, plaster, metal, wax, and cement, dimensions variable, at

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London: Yu Ji: Wasted Mud

Christopher Whitfield

*AN-MY LE*, _Untitled, Mekong Delta, Viet Nam_, 1994, silver gelatin print, 36 x 46 cm. Courtesy the artist and Marian Goodman Gallery, New York/Paris.

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New York: An-My Lê: đô-mi-nô

Emily Chun

Book Reviews: Models for the Future

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Book Reviews: Models for the Future

Pamela Wong, HG Masters, Chloe Chu

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