The Editors

Issue 129

Magazine

Issue 129

Jul/Aug 2022

<b>YUKI KIHARA</b><i>, The Wizard (After Gauguin)</i>, 2020, Hahnemuuhle fine art paper mounted on aluminum, 92 x 73 cm. Courtesy the artist and Milford Galleries, Dunedin/Queensto

Issue

Transformative Powers

Elaine W. Ng

<b>RUSHDI ANWAR</b>, <i>Facing living past in the present</i>, 2015, still from single-channel digital video with sound: 12 min 30 sec. Courtesy the artist.

Issue

One on One: Rushdi Anwar on Mulla Sadra Shirazi

Rushdi Anwar

<b>YOUDHISTHIR MAHARJAN</b>, <i>Without a Map</i>, 2020, hand-cut text collage and hand-braided reclaimed book pages, 21.6 x 14 cm. All images courtesy the artists and Kathmandu Tr

Issue

Kathmandu Triennale 2077

Niranjan Kunwar

View of the scaffolding on Friedrichsplatz, where <b>TARING PADI</b>'s mural <i>People's Justice</i> (2002) was displayed as part of documenta fifteen before the work was dismantle

Issue

Documenta Fifteen Faces Accusations of Antisemitism

The Editors

Partial installation view of <b>HITO STEYERL</b>'<b>s </b><i>SocialSim</i>, 2020, single-channel HD video and live computer simulations <i style=

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Seoul: Hito Steyerl

Taeyi Kim

Portrait of <b>SHAHZIA SIKANDER</b>. Courtesy the Fukuoka Prize Committee.

Issue

News Roundup 129: Controversy, Career Moves, Public Domain

The Editors

<b>CHIM POM FROM SMAPPA!GROUP</b>, <i>Black of Death</i>, 2007-13, Lambda print and video, 81 x 117.5 cm (photo), 9 min 13 sec (video). Courtesy Anomaly, Tokyo; and Mujin-to Produc

Issue

Tokyo: Chim↑Pom from Smappa!Group

Emilia Wang

<b>ANDY WARHOL</b>, <i>Short Sage Blue Marilyn</i>, 1964, acrylic and silkscreen ink on linen, 101.6 x 101.6 cm. Courtesy Christie's Images, Ltd., 2022.

Issue

Auction Report: The Great Plateau

The Editors

Installation view of <b>MICHELE CHU</b>'s <i>inti-gym</i>, 2021, participatory installation, dimensions variable, at

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Hong Kong: emo gym

Peter Chung

<b>FRANCES WADSWORTH JONES</b> and <b>PIO ABAD</b>, <i style=

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Manila: Pio Abad

Portia Placino

<b>LEE BUL</b>, <i>Perdu CXXXIII</i>, 2022, mother of pearl, acrylic paint on wooden base panel, and stainless steel frame, 163 x 113 x 6.5 cm. Photo by Jeon Byung-cheol. Courtesy

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Art Fair Report: Pushing Back

The Editors

<b>iPEK DUBEN</b>, <i>Serife #12</i>, 1982, oil on canvas, 183.5 x 113.5 cm. Photo by Mustafa Hazneci/SALT. Courtesy the artist and the Banu and Hakan Carmikli Collection.

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Istanbul: İpek Duben

Bala Gürcan

Installation view of <b>FUJIKO NAKAYA</b>'s

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Munich: Fujiko Nakaya

Chinnie Ding

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