The Editors - ArtAsiaPacific (Page 159)

<b>NASAN TUR</b>, <i>Self Portrait</i>, 2000, c-print with actual federal ID card, 7 x 10 cm. Copyright Artists Rights Society, New York/VG-Bildkunst, Bonn. Courtesy the artist.<br

Ideas

Guest, Worker

Revisiting Turkish migrant labor in Germany. Matt Hanson

Photo of (from left to right) Gizi Foundation's chairman *PARK SEONG-HO*, artist *PARK SEO-BO*, and Gwangju Biennale Foundation's president *PARK YANG-WOO* at the ceremony. Courtes

News

Gwangju Biennale Establishes Park Seo-Bo Art Prize

HG Masters

Shows

Crossing the River by “Feeling the Stones”

Highlights from the first Diriyah Contemporary Art Biennale. Paul Laster

Issue

News Introduction: Meta Morphing

To the metaverse and back. Chloe Chu

Portrait of (left) <b>CECILIA ALEMANI</b> and (right) <b>ROBERTO CICUTTO</b>. Courtesy the Venice Biennale.

News

59th Venice Biennale to Explore Posthuman Conditions

HG Masters

Detailed view of <b>YANG-EN HUME</b>'s <i>Her Shroud</i>, 2019, digital prints on organza and voile and embroidery thread, 90 x 80 cm, at

Shows

Undoing the “Threads of Time” at No 20 Arts

Excavating peripheral memories onto provocatively tactile surfaces. Sarah Chang

Ideas

Pivot to the Future

Highlights from ArtAsiaPacific 2022 SEAspotlight talks. ArtAsiaPacific

Visitors to Art Basel Hong Kong in 2021. Courtesy Art Basel.<br>

News

Art Basel Hong Kong Postponed to May 2022

ArtAsiaPacific

Interior view of the Grand Palais, Paris. Courtesy Art Basel.

News

Weekly News Roundup: January 28, 2022

The Editors

Ideas

Are the Kids All Right?

Chim-Pom opens a childcare center at the Mori Art Museum. Pamela Wong

Installation view of *NAM JUNE PAIK*'s 18.5-meter-tall television tower _The More, The Better_ (1988) at National Museum of Modern and Contemporary Art (MMCA), Gwacheon. Courtesy M

News

Nam June Paik Video Tower Lives Again

HG Masters

Installation view of <b>XANTHE DOBBIE</b>'s <i>Cloud Copy</i>, 2020, Oculus VR headsets, chairs, MP4 video, color, sound, and VR aspect 360: 4 min 48 sec, at

Shows

The Dystopia of Digital Banality in “Don’t Be Evil”

A focused narrative of human subjugation to corporate algorithms. Kyle Weise

Installation view of <b>CANDICE LIN</b>'s

Shows

“Seeping, Rotting, Resting, Weeping”: Finding Respite in Candice Lin’s Cat-Demon World

A commentary on "the human" as a hegemonic category. Michelle Lee

Installation view of <b>KONGKEE'</b>s <i>Flower in the Mirror</i>, 2021, single-channel video installation: 6 min 44 sec, at

Issue

Preface: Planning Ahead

The second year of the pandemic saw the continuation of speculative discussions on the post-pandemic era, with many imagining what it might be like. Elaine W. NG