The Editors

Portrait of <b>CRIENA GEHRKE</b>. Image via Twitter.

News

Weekly News Roundup: September 2, 2022

The Editors

Issue 130

Magazine

Issue 130

Sep/Oct 2022

Photo documentation of <b>DUTO HARDONO</b>'s <i>Variation & Improvisation</i>, performance, duration variable, at

Shows

“Scoring the Words” at the Seoul Museum of Art

Looking at Asia through the lens of poetry. Seoul Museum of Art

<b>BRITTO ARTS TRUST</b>, <i>Chayachhobi</i>, 2022, painted mural. Photo by Nicolas Wefers. Courtesy the artists and Documenta, Kassel.

Issue

Kassel: documenta fifteen

HG Masters

Detailed installation view of <b>JASMINE TOGO-BRISBY</b>'s <i>Open City (In Suspension)</i>, 2022, mixed-media installation, dimensions variable, at

Issue

Auckland: Declaration: A Pacific Feminist Agenda

Hutch Wilco

Detailed installation view of <b>SAEBORG</b>'s <i>Slaughterhouse</i>, 2021-22, latex, vinyl, synthetic polymer paint, and sound, dimensions variable, at

Issue

Sydney: Ultra Unreal

Yuna Lee

<b>THAO NGUYEN PHAN</b>'s <i>Portrait of March,</i> from the series <i>Dream of March and August</i>, 2019, watercolors on silk, 30 x 40 cm. Courtesy the artist and Sharjah Art Fou

Issue

Taking a Break

ELAINE W. NG

<b>KAZUNA TAGUCHI</b>, <i>the eyes of eurydice #26</i>, 2020, gelatin silver print, 14.7 x 10.7 cm. Courtesy the artist and Fondation d'entreprise Hermes, Tokyo.

Issue

Tokyo: Kazuna Taguchi

Emilia Wang

Installation view of <b>TSUYOSHI MAEKAWA</b>'s <i>Mannaka Tate no Blue</i> <i>(A18)</i>, 1964, oil and burlap on canvas, 162.5 x 130.5 cm, at

Issue

Hong Kong: Tsuyoshi Maekawa

PAMELA WONG

<b>ARLONZIA PETTWAY</b>, <i>Chinese Coins</i>, 1965-76, corduroy, denim, and cotton twill, 223.5 x 185.4 cm. Courtesy the Museum of Fine Arts, Houston.

Issue

One on One: Gee’s Bend Quilters

Jakkai Siributr

Installaion view of <b>BANG NHAT LINH</b>'s <i>The Vacant Chair</i>, 2013-15, mixed-media installation, dimensions variable, at

Issue

Ho Chi Minh City: Illuminated Curiosities

Dave Willis

Installation view of <b>ISAAC CHONG WAI</b>'s <i>Crying Streetlight in Tiananmen Square</i>, 2022, metal and cable chains, 310 x 200 x 200 cm, at

Issue

Istanbul: Isaac Chong Wai

Matt Hanson

Detailed installation view of <b>MIRE LEE</b>'s <i>Look, I'm a fountain of filth raving mad with love</i>, 2022, mixed-media installation, dimensions variable, at the Museum fur Mo

Issue

Frankfurt: Mire Lee

HG Masters

Installation view of <b>HIRAKI SAWA</b>'s

Issue

London: Hiraki Sawa

Amy Luo

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