The Editors

<b>CHRISTIAN BOLTANSKI</b>, <i>Lycee Chases</i>, 1987, five tin boxes, 15 photographs, 15 black lamps, electric wire, 297.2 × 266.7 × 30.5 cm. Photo by Alex Yudzon. Courtesy the Ch

中文

一對一：梁志和談Christian Boltanski

Leung Chi Wo

PACITA ABAD, The Village Where I Came From (detail), 1991, acrylic, oil, painted cloth on stitched and padded canvas, 244 x 173 cm. Photo by Max McClure.Courtesy the Pacita Abad Es

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What Lies Beneath

Elaine W. Ng

<b>CHRISTIAN BOLTANSKI</b>, <i>Lycee Chases</i>, 1987, five tin boxes, 15 photographs, 15 black lamps, electric wire, 297.2 x 266.7 x 30.5 cm. Photo by Alex Yudzon. Courtesy the Ch

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One On One: Leung Chi Wo on Christian Boltanski

Leung Chi Wo

Wat Prayurawongsawat Worawihan (Temple of Iron Fences or Wat Prayoon), a venue of the 2022 Bangkok Art Biennale. Courtesy the Bangkok Art Biennale.

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Dispatch: Bangkok

Ann Phatarawadee Phataranawik

Portrait of <b>AI WEIWEI</b>. Photo by Oscar Anjewierden. Image via Flickr.

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News Roundup 131: Controversy, Career Moves, Public Domain

the editors

Photo of <b>ZEHRA DOGAN</b>'s protest performance held in front of the Iranian Embassy in Berlin on September 26. Courtesy Ulas Yunus Tosun.

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News: Cultural Voices in Solidarity with Iranian Women

The Editors

<b>WALTER SPIES</b>, <i>Tierfabel (Animal Fable)</i>, 1928, oil on canvas, 81 x 65 cm. Courtesy Sotheby's.

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Auction Report: Southern Realignment

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<b>HILMI JOHANDI</b>, <i>Landscapes & Paradise XVI (Greetings)</i>, 2022, oil on linen, 122 x 152 cm. Courtesy the artist and Ota Fine Arts, Singapore/Shanghai/Tokyo.

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Art Fair Report: New Hotspots

the editors

<b>Susan Baik</b>

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Whispering Gallery: The Re-Turning World

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Illustration by <b>JEREMY LEUNG </b>for <i>ArtAsiaPacific</i>.

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The Point: Reforming Relationships in the Classroom

Naz Cuguoğlu

Installation view of <b>SHINRO OHTAKE'</b>s <i>MON CHERI: A Self-Portrait as a Scrapped Shed</i>, 2012, mixed media, dimensions variable, at dOCUMENTA(13), Kassel, 2012. Photo by Y

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Previews: Under the Spotlight

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Photo of <b>VICTORIA KOSASIE'</b>s <i>BASINS</i>, 2022, live performance, approximately 22 min, at Central Saint Martins, London, 2022. Courtesy Jordan Chan.

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New Currents: Taking On Tradition

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Installation view of<b> MOSES TAN</b>'s <i>An immaculate end to a disembodied beginning</i>, 2021, polymer clay, found furniture, and acrylic, dimensions variable, at

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Queering the Dot

Louis Ho

Portrait of <b>RADHIKA KHIMJI</b>. All images courtesy the artist and Experimenter, Kolkata.

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Radhika Khimji: Embodying the Mind’s Eye

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