The Editors

Installation view of <b>ARCHIE MOORE</b>'s

Issue

Naarm/Melbourne: There and Back Again

Hilary Thurlow

Photo documentation of <b>DUMB TYPE</b>’s <i>Voyage</i>, 2002, performance: 68 min, in Toulouse, 2002. Photo by Kazuo Fukunaga. All images copyright the artists and courtesy The Ja

Issue

Tokyo: An Interview with Yoko Takatani of Dumb Type

Pamela Wong

Installation view of <b>AYOUNG KIM</b>'s

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Seoul: Life in the Limelight

Andy St. Louis

<b>JOYCE HO</b>, <i>DOTS</i>, 2021, still from single-channel video: 1 hr 36 min. Courtesy the artist and the National Taiwan Museum of Fine Arts, Taichung.

Issue

Taipei: Rooting, Grounding, and Centering

Daphne Chu

Installation view of <b>KARRABING FILM COLLECTIVE</b>'s <i>The Jealous One</i>, 2017, single-channel video with sound and color: 29 min 29 sec, at

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Shanghai: Conflicting Cycles

Michelle Yeonho Hyun

Installation view of <b>PIO ABAD</b>'s<i> The Collection of Jane Ryan & William Saunders</i>, 2014, 40 giclee prints on semigloss paper, mounted on Dibond, dimensions variable, at

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Manila: An Interview with Pio Abad

Nicole M. Nepomuceno

Installation view of <b>SHARON LEE</b>'s <i>If Tomorrow Never Comes</i>, 2021-22, double-layered mounted inkjet print on paper, lightbox, and single channel video, each 160 x 160 c

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Hong Kong: An Interview with Sharon Lee

Tiffany Luk

Installation view of <b>NGE LAY</b>'s <i>Printemps 21</i> series (2022) at

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Yangon: An Interview with Nge Lay and Aung Ko

Naima Morelli

The Ismail Marzuki Park Plaza in Jakarta with a mural depicting the late painter Raden Saleh. Image via Wikimedia Commons.

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Jakarta: Decentralized Dilemma

Chabib Duta Hapsoro

<b>CHANG YOONG CHIA</b>'s <i>Battle</i>, 2022, batik sarong (Remazol dye on viscose cloth), 116 x 188 cm. Photo by dinndiran. Courtesy the artist and Teoh Wing Wah.

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Kuala Lumpur: With Feelers Out

Beverly Yong and Rachel Ng

Installation view of <b>MUNEM WASIF</b>'s

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Dhaka: An Interview with Munem Wasif

HG Masters

<b>RASHID RANA</b>'s <i>IT LIES BEYOND</i>, 2022, augmented reality and inkjet print on vinyl site-specific installation, 4.7 x 7.8 x 42.1 m, at the 3rd Karachi Biennale. Copyright

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Karachi & Lahore: Resolute Resilience

Quddus Mirza

Installation view of <b>HE XIANGYU</b>'s <i>House of Nations</i>, 2022, single channel video with color and 5.1 surround sound, 28 min 58 seconds, at

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Berlin: Coming on Strong

Clara Tang

Installation view of <b>AKI SASAMOTO</b>'s <i>Sink or Float</i>, 2022, mixed-media installation, dimensions variable, at

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New York: An Interview with Aki Sasamoto

Pamela Wong

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