The Editors

Installation view of <b>JAFFA LAM</b>'s (left) <i>A Piece of Silence from Lying (standing mode)</i>, 2022, graphite, luminous painting on recycled pine wood from crate box, 260 x 2

Issue

Hong Kong: Jaffa Lam

Elaine W. Ng

Installation view of <b>PINAREE SANPITAK</b>'s <i>Temporary Insanity</i>, 2004, silk by Jim Thompson, synthetic fiber, battery, motor, propeller, sound device, dimensions variable,

Issue

Bangkok Art Biennale 2022: Chaos : Calm

Brian Curtin

Installation view of <b>DANE MITCHELL</b>'s

Issue

The Point: The Museum of Without

Dane Mitchell

<b>ALBERTA WHITTLE</b>, <i>A Black footprint is a beautiful thing</i>, 2021, still from HD, 2K and mobile phone footage: 11 min 30 sec. Courtesy of the artist and The Modern Instit

Issue

Previews: March–April, 2023

The Editors

Photo of <b>KUMPANYA</b>'s performance <i>What is it this time?</i> (2002), featuring Bilge Arat and Ulku Duru in Galatasaray Square, Istanbul. Photo by Kumpanya archive. Courtesy

Issue

Istanbul: The 90s Onstage

Seda Yildiz

Archival image of an exhibition opening at the Hong Kong Arts Centre (HKAC), year unknown. Courtesy HKAC.

Issue

A Better Tomorrow for Art Museums in Hong Kong: Looking Back at the 1990s

ArtAsiaPacific x Asia Art Archive

Installation view of <b>BERNY TAN</b>'s <i>Talismans for Disentanglement</i>, 2021, pearl cotton thread and calico, dimensions variable, at

Issue

New Currents: Data Driven Dream

the editors

Installation view of <b>OZGUR KAR</b>'s <i>DEATH </i>and<i> SNAKE CHARMER</i>, 2021, three-channel 4k videos, Samsung TVs, BrightSign media players, speakers: 20 min, on loop, at G

Issue

Active Spirits of Return

Ghost 2565 and exhibitions that confront figures of the past Christopher Whitfield

<b>KIM EUNG-WON</b>, <i>Orchids and Rocks</i>, early 20th century, ink on paper with silk brocade mounting, 204 x 91 cm. Copyright and courtesy Museum Associates / Los Angeles Coun

Issue

Los Angeles: The Space Between: The Modern in Korean Art

Jennifer S. Li

Portrait of <b>INCI EVINER</b>. Photos by Tiffany Luk for <i>ArtAsiaPacific</i>.

Issue

İncİ Evİner: Movements for the interstitial body

Tiffany Luk

Installation view of *NATASHA TONTEY*'s _Garden Amidst the Flame_,
2022, single-channel video installation: 27 min, at Auto Italia,
London, 2022. Photo by Henry Mills. Courtesy the

Issue

Up Close: Natasha Tontey

HG Masters

Book Review: The Contest of the Fruits

Issue

Book Review: The Contest of the Fruits

Tiffany Luk

Detail of <b>AHMET DOGU IPEK</b>'s <i>From faraway and always</i>, 2020-22, oil paint, linseed oil, and crayon on paper, 142 pieces at 76 x 56 cm each and six pieces at 76 x 108 cm

Issue

Up Close: Ahmet Doğu İpek

HG Masters

Installation view of <b>KARA WALKER</b>'s The Long Hot Black Road to Freedom, a Double-Dixie Two-Step, 2005-08, cut paper, adhesive on wall, and paint on wall, approx. 5.2 x 45.7 m

Issue

Inside Burger Collection: Kara Walker

Decoding the Tales of an Unreliable Narrator. Rebecca Peabody

See all