The Editors

<b>TAKASHI MURAKAMI</b>, <i>I open wide my eyes but see no scenery. I fix my gaze upon my heart</i>, 2007, acrylic and platinum leaf on canvas mounted on panel, 242.6 x 282cm. Copy

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Auction Report: Flagging Hopes

The Editors

Portrait of <b>AKI SASAMOTO</b>. Photo by Takehiro Iikawa. Courtesy the artist and Calder Foundation, New York.

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134 News Roundup: Awards, Obituaries

The Editors

<b>KYUNG-ME</b>, <i>The Marriage</i>, 2022, ink and charcoal on paper, 81.3 x 121.9 cm. Courtesy the artist.

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New Currents: Kyung-Me

Grace Jefferd

Detailed installation view of <b>TAREK ATOUI</b>'s <i>The Elemental Set</i>, 2019-23, ceramic, percussion instruments, water systems, sound, and electronic components, dimensions v

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The Sketch: Tarek Atoui

Sounds Unlikely Pamela Wong

*IMAN RAAD*, <i>Days of Bliss and Woe: A Third Language</i>, 2018/22, synthetic polymer paint on plywood and timber, 115 panels, overall dimensions variable. Copyright the artist.

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Brisbane: “A Third Language”

Hilary Thurlow

Portrait of <b>ANDREW LUK</b> in his Tai Kok Tsui studio. All images by Oliver Clasper for <i>ArtAsiaPacific</i>.

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Andrew Luk: Echoes of the Past

Oliver Clasper

*MASAHISA FUKASE*, _91.11.10_ from the _Bukubuku_ series, 1991, gelatin silver print, 42.9 x 28.5 cm. Copyright Masahisa Fukase Archives. Courtesy Tokyo Photographic Art Museum.

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Tokyo: “Masahisa Fukase: 1961–1991 Retrospective”

Emilia Wang

Installation view of *REY CONCEPCION*'s <i>The Last Paper Pinwheel</i>, 2023, serigraphy on acrylic cast sheet paper, wooden pedestal, dimensions variable, at

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Manila: “Parched Earth, Ardent Spring”

Sean Carballo

*ALIZA NISENBAUM*, <i>In Search of Lost History</i>, 2022, oil on linen, 190.5 x 241.3cm. Photo by Thomas Barratt. Copyright the artist. Courtesy the artist and Anton Kern Gallery,

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14th Gwangju Biennale: “soft and weak like water”

Pamela Wong

Installation view of *DEW KIM*'s _O Come to the Altar_, 2023, mixed media with latex, CNC styrofoam, vacuum machine, and stainless steel, 190 x 140 x 30cm, at

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Seoul: “Dew Kim: I Surrender”

Taeyi Kim

*KORNKRIT JIANPINIDNAN*, <i>Door</i>, 2023, layout of photographs, digital print on super paper, 28.5 x 58.5cm. Courtesy the artist and Bangkok CityCity Gallery.

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Bangkok: “Kornkrit Jianpinidnan: Thru the Straits of Demos”

Christopher Whitfield

Installation view of *ELISA SIGHICELLI*'s _Petits Rats (J)_, 2023, archival inkjet print on Hahnmüle Fineart Paper, 163 x 123 x 4cm, at

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Hong Kong: “Elisa Sighicelli: Petits Rats”

Elaine W. Ng

Installation view of *TRUONG CONG TUNG*'s <i>The state of absence - voices from the outside</i>, 2020- , gourds, water, soil, seeds, machinery, time, and temperature, dimensions va

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Truong Cong Tung: Spectral Ecology

Hung Duong

Installation view of *KELLY AKASHI*'s

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New York: “Kelly Akashi: Infinite Body”

Jennifer S. Li

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