The Editors

Portrait of <b>ASHLEY BICKERTON</b>. Courtesy the artist's estate and Gajah Gallery, Singapore / Jakarta / Yogyakarta.

Issue

Tribute: Ashley Bickerton

Entang Wiharso

Portrait of <b>PAO HOUA HER</b>. Courtesy Bockley Gallery, Minneapolis.

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News Roundup 132: Controversy, Career Moves, Public Domain

The Editors

<b>NIKHIL CHOPRA</b>, <i>Remembering Being There (Wahan ki Yaad)</i>, 2021, still from video with sound: 16 min 30 sec. All images courtesy the artist and Galleria Continua, San Gi

Issue

Nikhil Chopra: Recomposing the Live

Meera Menezes

Portrait of <b>CLUB ATE</b> (Justin Talplacido Shoulder and Bhenji Ra). Photo by Joseph Pascual. All images courtesy the artists.

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Club Ate: Mythologies of Movement

Johanna Bear

Installation view of <b>MALAEB</b>'s <i>Pilot 1.0</i>, 2022, video: 9 min 10 sec, at

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Singapore Biennale 2022: Natasha

Louis Ho

<b>SHINGO KANAGAWA</b>, <i>for a while</i>, 2011, inkjet print, 28.3 x 35.7 cm. Courtesy Mori Art Museum, Tokyo.

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Tokyo: Roppongi Crossing 2022: Coming & Going

Emilia Wang

Photo of the Emergency Response Coordination Centre working closely with emergency teams from European Union member states and other nations, alongside Turkish authorities to rapid

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Main News: Cultural Sector Rallies for Earthquake Relief

The Editors

Detail of <i>Mother of Pearl</i>, 2021, color print on satin, 76.2 x 127cm. Photo by Daniel Vincent Hansen. All images courtesy the artist and Empty Gallery, Hong Kong, unless othe

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Jes Fan: Precious Wounds

Mimi Wong

<b>ROBERT LANGENEGGER</b>, <i>

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Manila: Phylogeny of Desire

Dondie Casanova

<b>YUNIZAR</b>, <i>Ayam Jantan Merah (Red Rooster)</i>, 2020, acrylic on canvas, 160 x 180 cm. Courtesy Gajah Gallery, Singapore / Jakarta / Yogyakarta.

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Art Fair Report: Back in the Groove

The Editors

Installation view of <b>JAFFA LAM</b>'s (left) <i>A Piece of Silence from Lying (standing mode)</i>, 2022, graphite, luminous painting on recycled pine wood from crate box, 260 x 2

Issue

Hong Kong: Jaffa Lam

Elaine W. Ng

Installation view of <b>PINAREE SANPITAK</b>'s <i>Temporary Insanity</i>, 2004, silk by Jim Thompson, synthetic fiber, battery, motor, propeller, sound device, dimensions variable,

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Bangkok Art Biennale 2022: Chaos : Calm

Brian Curtin

Installation view of <b>DANE MITCHELL</b>'s

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The Point: The Museum of Without

Dane Mitchell

<b>ALBERTA WHITTLE</b>, <i>A Black footprint is a beautiful thing</i>, 2021, still from HD, 2K and mobile phone footage: 11 min 30 sec. Courtesy of the artist and The Modern Instit

Issue

Previews: March–April, 2023

The Editors

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