Issue
Hong Kong: Practicing Difference: Interview with Jeremy Ip
MICHELE CHAN
Michele Chan
Issue
Exhibitions of 2025: “Samson Young: Pavilion”
Michele Chan
Issue
Exhibitions of 2025: “Lee Bul: From 1998 to Now”
Michele Chan
Issue
Exhibitions of 2025: “Tehching Hsieh: Lifeworks 1978–1999”
Michele Chan
Issue
Exhibitions of 2025: “Yukinori Yanagi: ICARUS”
Michele Chan
Issue
Up Close: Hu Xiaoyuan
Michele Chan
People
New Currents: Zhang Mingxuan’s Politics of Skin
The emerging artist’s abject forms acquire agency through a spectral “second skin.” MICHELE CHAN
Shows
The Fisherman and the Woodcutter: Duan Jianyu’s Animal Reckoning
Pairing slapdash figuration with ethereally radiant hues, the midcareer Chinese artist crafts a macabre fable for contemporary existence. MICHELE CHAN
Market
Ground Zero: Hong Kong’s Debut Marquee Auction Week
A new Asia record for Picasso, mysteriously shrinking Nara estimates, and discount buys for postwar Asian art. Michele Chan
Market
The Old Normal: Notes from Seoul Art Week 2025
The question needs to stop being whether the market is doomed; we should prioritize the art, the talent, and the discourse—and efforts must start regionally. Michele Chan
Issue
Up Close: Lee Kit
Michele Chan
Shows
In Praise of Smallness: “Elsewhen, Elsewhere” at Art Intelligence Global
When forced to lean in, one realizes how much the eye routinely forfeits. MICHELE CHAN
Shows
Ha Bik Chuen’s Motherboards and Collagraphs
“Reframing Strangeness” at Para Site was modest, unassuming, yet quietly historic—the first comprehensive survey of the singular printmaking practice of the late Hong Kong artist Ha Bik Chuen. MICHELE CHAN
Issue
Up Close: Xindian Boys
MICHELE CHAN