Ayşe Erkmen’s “Kıpraşım Ripple”
A bold gesture of a scale and cost.
Oh Soon-Hwa’s “Coastal Regions (Delta)”
Contemplating not razed mountains or concrete walls, but the quiet, devastating transformations brought about by unchecked development.
Visit the Wild Hong Kong in “Reversal Ritual”
A group exhibition at De Sarthe Gallery looks at the celebratory.
Soheila Sokhanvari’s “Paradise Lost”
Punctuated with a series of abstract self-portraits and with the discrete insertion of two images recording Iran
Lin Aojie’s “If You Throw Enough Mud at the Wall, None of It Will Stick”
Lin expresses in several of the works: annoyance with the disjuncture between art and capitalism, annoyance with an artist
Jiang Pengyi’s “Away From Disgrace”
The artist confronts the tendency to turn away from disgrace.
Liang Shaoji’s “Sha Sha Sha”
The artist expands his axis of time and humanity to investigate ancient civilizations and ongoing global conflicts.
Gil & Moti’s “Chickens, Dogs and Artists Tale”
Allowing artists to work side by side with Palestinians.
