final exhibition of the two-part series shifted its focus to the diverse directions that newer artists are taking.

The connection of the health of the individual and the wellbeing of the collective, colonized body was one among the fascinating questions posed.

Their interdisciplinary practice ranges from art installations to graphic design, public lectures and extensive publications.

Juxtaposing tradition with contemporary works is nothing new, but Ganesh thoughtfully threads the past into the future.

The threshold of visibility and intelligibility remains ambivalent and ambulatory, as shapes emerge from and recede into the nebulous swaths of light.

Common household objects disrupt deliberate sophistication, symbolizing the unglamorous aspects of life.

Presenting a long overdue celebration of John Mawurndjul, one of the foremost Indigenous bark painters in the country.