Taus Makhacheva’s “Story Demands to be Continued”
An interpretation of Dagestani culture and a challenge to it.
Yoko Ono’s “War is Over! (If you want it)”
Reuniting hope to make a world a better place.
Tiffany Chung’s “The Galapagos Project: on the brink of our master plans” and ”an archeology for future remembrance”
Remapping old Saigon in her recent exhibitions.
Heman Chong and Anthony Marcellini’s “Twenty Plots for Things to Come”
Coding the essential data of life within an infinite loop of dystopian dialogue.
“Isamu Noguchi and Qi Baishi: Beijing 1930”
Presenting an artistic conversation in the story of the chance encounter in 1930s China.
Kimsooja’s “Unfolding”
Spanning the artist’s career with excerpts from some of her most recognizable projects displayed in loosely chronological order.
Chan Hampe Galleries journey to “Motherland”
Home, myth, identity – three artists tackled such notions in relation to their native land of Singapore.
Chen Ching-Yuan’s “(flare-s)”
An intimate view into the artist
Mike Parr’s “Easter Island”
Mike Parr pays homage to the megalithic figures of Easter Island, while neglecting the relatives of life on earth for modern day attempts at transcendence.
