Ho Tzu Nyen’s “The Critical Dictionary of Southeast Asia, Vol. 8: R for Rhombicuboctahedron”
Ideas collide like particles in Brownian motion.
Remembering Black-British Artists in “Speech Acts: Reflection-Imagination-Repetition”
Uncovering artworks by sidelined African, Asian and Middle Eastern artists.
Jess Bradford’s “An Image of a Tiger”
Bradford explores representational theory and the slippage between two- and three-dimensionality.
“Women in Photography: Collective Power”
Six international photographers all reflect the notion of
“(Re)collect: The Making of Our Art Collection”
Examine the origins of the museum
“You, Other; I, Another”
Nine artists were invited to scrutinize the dynamics of
Tarek Atoui’s “The Ground: From the Land to the Sea”
The exhibition was devised for both an immediate encounter with sound art and and a durational process of “de-composing”.
Dinh Q. Lê's “Monuments and Memorials”
Pondering the rift between the magnificent and the monstrous as two extremes of humanity.
