“2018 Triennial: Songs for Sabotage”
The Triennial posits that young creatives appetite for destruction,
The Triennial posits that young creatives appetite for destruction,
Exploring Western modernity and its
The impact of water on individuals and societies.
A witty, satirical and very personal critique of the artist’s experience as part of the Filipino-Chinese subculture.
A slice of life from Southeast Asia.
Calling attention to the mosaic of approaches from Southeast Asia, while proposing that shared concerns resonate beyond national borders.
Foregrounding the trajectories of postwar art in the region.