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ISSUE 109

JUL/AUG 2018

Issue 109
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Online Content
Editor's Letter

Being Within the Change

Also available in:  Chinese
Being Within the Change

A saffron-painted merry cow, and the mass-market dairy products it produces—including cheese glowing with golden, technicolor vibrancy—is the centerpiece of Yellow Cow (2006–10), a multi-part installation by the Saudi Arabian artist Ahmed Mater. 

One On One

Kacey Wong on Chen Shun-Chu

Also available in:  Chinese
Kacey Wong on Chen Shun-Chu

At the time of writing this article, I was in Taiwan and fond memories of my artist friend, Chen Shun-Chu, had resurfaced. 

The Point

A Friend

Also available in:  Chinese
A Friend

To be honest, I am always reluctant to read any article with the word “identity” in its title, let alone a magazine featuring the theme.

Profiles

Makeshift Histories
Hsu Chia-Wei

Also available in:  Chinese
Makeshift Histories

In my multiple conversations with Hsu Chia-Wei about his film-based practice, the artist elaborated at length on the political histories of Asia. 

FEATURES: Then And Now

A Look Back through Our Archives, from 1993 to 2017

Also available in:  Chinese
A Look Back through Our Archives, from 1993 to 2017

At the time when global art was first taking root, Nalini Malani was fast gaining visibility among curators both at home and throughout Asia.

Reviews

The Painting That Is Painted With Poetry Is Profoundly Beautiful
Tang Chang

Also available in:  Chinese
The Painting That Is Painted With Poetry Is Profoundly Beautiful

Chills ran down my spine as I peered into the vitrine positioned toward the end of the late Tang Chang’s solo exhibition at the Smart Museum of Art, so beautifully and adeptly curated by Orianna Cacchione.

Print Content
REPORTS
Taichung
Furor Over Gaza Protest Posters in Jerusalem
All-Star Break
Where Art Thou?
Ups and Downs
In with the New
Around the World
Beneath the Surface
ESSAYS
Healing Through Movement
PROFILES
Michael Buxton: Cultural Treasures
Jaishri Abichandani: Wonder Kali
FEATURES
Ahmed Mater: The Edge Becomes The Center
Patricia Perez Eustaquio: A World Of Her Making
Young & Emerging: New Bodies And Biologies
Aesthetic Experience, Ownership, And Post-Truth
REVIEWS
Haegue Yang: ETA: 1994–2018
Patricia Piccinini: Curious Affection
Fondation Cartier Pour L’Art Contemporain, A Beautiful Elsewhere
Zhang Yue: If I Could
Ni Youyu: So Near Yet So Far
Rediscovering Forgotten Thai Masters Of Photography: A Project By Manit Sriwanichpoom
Ahmad Fuad Osman: Primitive
1918
Aydan Murtezaoğlu And Bülent Şangar: Continuity Error
Marwan
Latiff Mohidin: Pago Pago (1960–1969)
Seung-Taek Lee
Hiwa K: Blind As The Mother Tongue
Mel Chin: All Over The Place
In The Fields Of Empty Days: The Intersection Of Past And Present In Iranian Art
Looking Anew
WHERE I WORK
Emre Hüner
THE SKETCH
ArtAsiaPacific 25th anniversary issue!

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